Exitmusic's Aleksa Palladino and Devon Church have forged a profound partnership: The couple came together in a romantic, cinematic way, meeting on a transcontinental train. Then, over the course of two albums — Passage came out earlier this year — they've created an artistic identity that's beautifully beguiling and darkly unsettling.
At 11 a.m. on a weekday, Calexico rehearses for its upcoming tour in a cramped studio on the south side of Tucson, Ariz. The stereotypical musician would just be getting up, but lead singer and songwriter Joey Burns has been up since dawn with his twin baby girls.
Trumpet player Jacob Valenzuela arrives late to the rehearsal — and that's because his washing machine broke and he had to deal with a small flood. Valenzuela grabs his trumpet as the band launches into "Splitter," the first single from Calexico's new album.
For a metro area of only about 3.5 million people, the Twin Cities region is unusual in the way it supports not one, but two world-class orchestras. Now, with looming deficits on the horizon and musicians' contracts at both the Minnesota Orchestra and the Saint Paul Chamber Orchestra expiring Sept. 30, the Twin Cities may have two orchestras on strike.
The focal point of The xx, on its debut as well as its new album Coexist, is the existential romance between the singers, Oliver Sim and Romy Madley Croft — each of whom sounds adrift in his or her own bubble.